Playing Indian is a 1998 non-fiction book by Philip J. Deloria, which explores the history of the conflicted relationship white America has with Native American peoples. It explores the common historical and contemporary societal pattern of non-Natives simultaneously mimicking stereotypical ideas and imagery of "Indians" and "Indianness" (the "Playing Indian" of the title), in a quest for National identity in particular, while also denigrating, dismissing, and making invisible real, contemporary people.
"Disguise readily calls the notion of fixed identity into question," writes Deloria. "At the same time, however, wearing a mask also makes one self-conscious of a real 'me' underneath." The book is a reworking of Deloria's 1994 Yale University doctoral dissertation.
He explores the white American dual fascination with "the vanishing Indian" and the idea that the white man can then be the true inheritor and preserver of authentic "Indianness", with the only "authentic" Indians being dead and in the past. A recurring trope in this pattern is "the Indian 'Death Speech'", an example he cites is from James Fenimore Cooper's The Redskins, "You hear my voice for the last time. I shall soon cease to speak."
Deloria writes that, "not coincidentally" the first "lodges" of groups like Order of the Red Men were named after these literary figures, created by colonists to verbalize the wishes of the colonists,
Deloria refers to David Roediger's The Wages of Whiteness, a similar book about the construction of the white race in opposition to black slaves; his book has itself been compared to scholarly work on blackface and to the work of Richard White.
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